Ceniza Negra
Production Sound Mixer
Watch trailerMy work begins by listening.
Production sound for feature films, documentaries and television. A filmmaker’s perspective, from the set to the field.
Explore selected workSound direct from the scene. A selection of feature films from my work in Costa Rican cinema.
Production Sound Mixer
Watch trailerProduction Sound Mixer
Watch trailerProduction Sound Mixer
Watch trailerProduction Sound Mixer
Watch trailerProduction Sound Mixer
Watch trailerProduction Sound Mixer
Watch trailerProduction Sound Mixer
Watch trailerProduction sound for documentary series, across remote landscapes and changing conditions.
Production Sound Mixer
Watch videoProduction Sound Mixer
Watch videoProduction Sound Mixer
Watch videoProduction Sound Mixer
Watch videoAudio Mixer as part of the production sound team.
Audio Mixer · Production sound team
Watch videoAudio Mixer · Production sound team
Watch videoI work with directing, camera and costume to anticipate acoustic challenges and preserve the performance. Preparation, clear communication and a sound strategy built around the scene.
Real situations move at their own pace. I observe, anticipate and adapt, capturing voices and the atmospheres that give a place its identity.
From tropical rainforest and the Amazon to the Andes above 5,000 metres and locations in East Africa. Preparation and practical decisions help keep sound ready in demanding environments.
Experience on productions for
Netflix / BBC / National Geographic / Animal Planet / Discovery / HBO
Before choosing a microphone, understand what the scene needs. Prevent problems when possible. Adjust the equipment and workflow to the people, the place and the film.
“I approach sound as part of the filmmaking process.”
I’m Erick Vargas Williams, an Afro-Costa Rican production sound mixer and filmmaker. My work moves between narrative cinema, documentary and international television, in both controlled sets and unpredictable locations.
Directing has shaped how I listen on set: to the intention of a scene, the rhythm of the crew and the space a performance needs. I bring that perspective to each production, alongside technical preparation and a collaborative way of working.
My work as a filmmakerFor nearly ten years, I visited Albert Robinson Roberts with my camera: an old family friend who had spent three decades living on the streets of San José. What began as an attempt to understand him became a friendship and a conversation about freedom, responsibility and time.
Documentary feature · In post-production
Equipment is selected around the scale, locations and needs of each project. Get in touch to discuss the sound package and crew your production requires.
Feature film, documentary or a story far from the conventional set. Share your dates, locations and the scale of your production.
Direct contact details will be available here soon.
COSTA RICA · AVAILABLE WORLDWIDE